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Though he was terminally ill at the time, BreckerвЂ™s playing is wonderfully vibrant and brimming with a life-affirming vigor. Pilgrimage was BreckerвЂ™s final solo album, recorded during 2006 in the stellar company of Pat Metheny, Herbie Hancock, Brad Mehldau, John Patitucci, and Jack DeJohnette. This Pennsylvanian tenor saxophonist rose to fame playing jazz-funk in the 70s with his elder sibling Randy in the Brecker Brothers but also carved out a career as a first call sideman for rock artists that ranged from John Lennon to Steely Dan.

In the last decade, he has consistently pushed the jazz envelope with albums like the politically charged The Emancipation Procrastination, which fuses alt rock, African music, hip-hop and ambient flavors to arrive at a sound that defies pigeonholing and which Adjuah describes as вЂњStretch Music.вЂќ The inaugural release in his acclaimed Centennial Trilogy, the album offers an immersive listening experience that is a stunning showcase of the horn blowerвЂ™s polyglot style where his mournful, elegant trumpet melodies are framed by a blend of filmic soundscapes and stuttering trap grooves.Д§6: Michael Brecker: Pilgrimage (Heads Up) Though the history of jazz can be heard in his trumpet playing вЂ“ from the brash ebullience of Louis Armstrong to the introspective melancholy of Miles Davis and the incandescent virtuosity of Dizzy Gillespie вЂ“ this New Orleans musician has created a unique and unclassifiable musical hybrid. Such is TatumвЂ™s genius that he transforms his source material into virtuosic mini concertos, packed with dizzying melodic cascades, inventive substitute chords, and piston-like left-hand accompaniments.Д§7: Christian Scott a Tunde Adjuah: The Emancipation Procrastination (Ropeadope/Stretch Music) It featured his first four studio sides вЂ“ including wonderfully flamboyant renditions of вЂњTea For TwoвЂќ and вЂњTiger RagвЂќ вЂ“ augmented by scintillating live recordings recorded at LAвЂ™s Shrine Auditorium from 1949. The 1968 compilation, Piano Starts Here, offers a rewarding snapshot of TatumвЂ™s jaw-dropping technique and sparked a revival of interest in TatumвЂ™s music twelve years after his death. A scintillating contemporary take on big band jazz.Д§8: Art Tatum: Piano Starts Here (Columbia)ДЇrom Toledo, Ohio, the visually impaired Art Tatum set an impossibly high bar for jazz piano playing between 1933, when he made his first recordings, to his death in 1956. The setвЂ™s highlights include the pent-up symphonic opener, вЂњCarlos,вЂќ oscillating between tension and resolution, and вЂњOut Of The City,вЂќ which exudes a metropolitan swing feel. The contrast between ScofieldвЂ™s acerbic, gnarly guitar lines and the pointillistic detail of MendozaвЂ™s orchestrations offers a juxtaposition of tones and textures that is thrillingly dramatic. Leading HollandвЂ™s redoubtable Metropole Orkest, in 2010 Mendoza invited US jazz-rock guitarist Scofield to guest on 54, which presented seven widescreen adaptations of tunes from ScofieldвЂ™s back catalogue as well as two original numbers. Six-time Grammy winning American arranger Vince Mendoza is renowned for his collaborations with pop and rock acts (BjГ¶rk, Joni Mitchell) but heвЂ™s also worked his magic with jazz performers. Over the course of MethenyвЂ™s career, he would go on to make far more ambitious albums but Bright Size Life stands out for its winning combination of youthful energy and masterly assuredness.Д§9: Metropole Orkest feat. What resulted was a thrilling showcase for MethenyвЂ™s clear-toned, flowing virtuoso style which was defined by elliptical melodic filigrees, liquid improv and flights of untrammeled lyricism.

Metheny was just 21 and teaching at BostonвЂ™s Berklee School of Music when ECM producer Manfred Eicher, who had heard him play with vibraphonist Gary BurtonвЂ™s group, recorded the young guitarist with fretless bass maven Jaco Pastorius and drummer Bob Moses. Largely ignored and selling barely 1,000 copies on its release in January 1976, the Missouri guitar magusвЂ™ debut album gradually grew in stature and went on to be regarded as a post-bop jazz masterpiece. In the meantime, these jazz albums are essential for anyone looking to start a collection, or to go beyond classics they already know. Let us know in the comments section what you think weвЂ™ve missed out вЂ“ and why.Д¬heck out some of the greatest jazz albums on vinyl here. WeвЂ™re sure youвЂ™ll have your own favorite albums.

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